Sunday, 1 January 2017

Films of the Year 2016

The films I most responded to in 2016 mainly featured one of two themes: isolation (whether voluntary or not) or ideological conflict. These run throughout the year's releases and nicely reflect the political struggles and upheavals of the year. 

As usual this is a personal look back at this year's releases, so this is not necessarily a list of the greatest movies of the past twelve months, but a collection of my recommendations. As usual any feedback and discussion is welcome.

Disclaimer! - Many other films of the year lists will contain films yet to be released in the UK. I don't include these in mine, even if I've seen them at preview screenings. We usually get these films in January and February, so there's lots to look forward to early in the year. This year those films include "Silence" (1st January), "La La Land" (13th January), "Manchester by the Sea" (13th January) "Hacksaw Ridge" (27th January), "Moonlight" (17th February), "Certain Women" (3rd March), "Elle"(10th March)"The Handmaiden" (TBA)

This year's trends - isolation, ideological differences, wilderness, escaping society

10. Deadpool/Captain America: Civil War

As my yearly cheat, I've included both Deadpool and Captain America: Civil War at number 10. For me, they represent this year's best examples of the superhero format, which get right what most of the current glut get wrong.  Deadpool is as violent and wise-cracking as its titular anti-hero, which is exactly how it should be. The story isn't groundbreaking, but it's refreshing to watch a film that doesn't spend its time setting up a sequel or building to a global threat. 

Civil War meanwhile succeeds with an incredibly difficult balancing act, packing Marvel's current stable of heroes into a crowd-pleasing but thought provoking blockbuster. The ideological differences that come to the fore mirror DC's Batman v Superman, but Marvel's fleshed out characters and greater nuance better convey the conflict. The end, whilst action packed, is not a giant battle pitting our heroes against numerous generic enemies, but a smaller more personal one. On top of all this, they seamlessly introduce to the main Marvel Universe the best on-screen depiction of Spider-man yet, revitalising a long stagnant franchise. 

Both available to stream on NowTV (at the time of writing) and Deadpool is available to rent.

9. Captain Fantastic


Captain Fantastic features the always compelling Viggo Mortensen as the patriarch of an oddball family living outside society, deep in the woods. When a tragic event forces the family to rejoin the wider world, the characters are forced to reevaluate their place within society. The film asks many questions of its characters and audience, on parenting, education, philosophy and societal structure, but its great strength is how it frames the answers. These conclusions constantly shift, allowing for a layered thoughtful approach missing from most films.

Not available for streaming rental at the time of writing.

8. Hunt for the Wilderpeople

Another gem from Taika Waititi, who follows up his hilarious vampire mockumentary What We Do in the Shadows with this Roald Dahl-esque tale of adventure. The story begins when an inner city trouble-maker Ricky (Julian Dennison in a breakout role) is relocated to live with a foster family in the New Zealand wilderness, but many twists and turns lead to a mayhem-filled finale far from the intended quiet life. Great characters (including a delightfully grumpy Sam Neil) and Waititi's spot on comic timing, create a laugh-out-loud, fun romp. Despite this, the thing that truly elevates the film are its quieter elements, the sombre moments that pull at the heart strings and ground the more outlandish plot developments and characters. 

Available to rent from Youtube and Google Play.

7. Nocturnal Animals

After a long seven year wait, Tom Ford returns with his first film since the pretty great A Single Man.  Ford's Nocturnal Animals is just as stylish as its predecessor, bringing a lavish beauty to the screen that few modern directors achieve. A Bernard Herrmann-esque score gives it a Hitchcockian feel, and a bold opening sequence invokes the strange darkness of David Lynch.  Shifts in time and location disorient and build tension, with parallel stories shedding more light on the central narrative. It's another interesting look at the politics of love and how our actions can impact upon other's lives for years to come. 

Not available to online rental at the time of writing.

6. Room

A dark drama with strong emotional punch, Room works so well thanks to the brilliant performances of its two central performers.  Brie Larsson rightly won an Oscar for her kidnapped and entrapped mother, but Jacob Tremblay may overshadow her with his brilliant portrayal of a child bought up in captivity. His acting is naturally child-like, full of wonder and innocence unlike the type of precocious child actor who often seem older than their years. Director Lenny Abrahamson must also be given credit for his deft handling of the subject matter and making the most of the cramped environment, much like his characters.

Available to stream on Amazon Prime (at the time of writing) and available for streaming rental. 

5. Arrival

One of the few works of proper science-fiction to come out this year, Denis Villeneuve has created a thoughtful, inspirational and beautiful movie. Amy Adam's expert linguist is tasked with finding a way to communicate with strange octopus-like aliens whose spacecraft hover majestically above seemingly random locations across the Earth. Tensions rise around the world as the unknown intentions of the aliens cause unrest, with the fear of the "other" neatly reflecting the darker moments of 2016. The exploration of these central themes of inter-cultural communication take precedence over explosions and bombast, using science-fiction to explore humanity, as all the best sci-fi does. This film offers great hope for Villeneuve's next project, the sequel to Ridley Scott's classic Bladerunner.

Still (just about) in cinemas at the time of writing

4. Swiss Army Man

Joyfully absurd, creepy yet heart-warming, Swiss Army Man is a true one off. Famously featuring Daniel Radcliffe as a re-animated corpse, the film takes its dark premise and runs with it at full speed. The storytelling is inventive throughout as Paul Dano's suicidal loner finds his soul mate in Radcliffe's multi-purpose corpse.  While some of the more juvenile humour may act as a deterrent to some, it's worth persevering with as there's much more to it than flatulence. The fact that the tone works is something of a marvel, somehow managing to keep you on board despite walking a very thin tightrope with its dark, sometimes unpleasant themes meshing with high concept, outlandish humour. Against all the odds, this might be one of the must uplifting films of the year.

Not available for streaming rental at the time of writing.
3. Spotlight

The best way I can describe Spotlight is that it's a "proper film". It's meticulous, well acted and gripping in a riveting yet completely un-flashy way. It hearkens back to the conspiracy thriller movies of the seventies and is all the better for it.
Dealing with the Boston Globe's investigation into child abuse within the Catholic church, the journalistic style of film-making is truly befitting of the subject matter. The way the brilliant ensemble cast lead us through the investigation is utterly compelling and emotionally resonant. Amongst the top notch performances a particular highlight is Lieb Shreiber's editor-in-chief, who conveys a wonderful world worn weariness. It's a worthy Oscar winner which has only impressed me more on repeat viewings.

Available to stream on Amazon Prime (at the time of writing) and available for streaming rental.
2. Green Room

Wonderfully tense, this film will grip you like few others. A young touring punk band find themselves trapped in the green room of a neo-Nazi run bar in Jeremy Saulnier's vicious follow up to Blue Ruin.  Saulnier uses his experiences as young man in the Washington DC hardcore punk scene to create a lived-in world, full of detail and well-rounded characters. One of his greatest strengths is creating films where characters act believably, ensuring his films are character rather than plot-driven.  This gives the cast a chance to fully explore their roles, with the members of the band conveying a real bond throughout. This connects us to their struggle and makes the menace they face seem ever present. Their Nazi attackers are lead by Patrick Stewart's Darcy, who is all the more threatening thanks to Stewart's low-key un-theatrical performance.   

The tragic death of the Anton Yelchin also adds a touch of melancholy to this film, it's a huge shame to lose such a talented performer at such a young age.

Available to stream on Netflix (at the time of writing) and available for streaming rental.

 1. Anomalisa

It's amazing that a film utilising animated puppets can achieve a reflection of humanity greater than any other film this year. The film centres on an emotionally withdrawn customer service specialist, perfectly voiced by David Thewlis, as he attends a convention to promote his latest book. His distance from others is such that he views them all with identical faces and voices. This unnerving representation makes his discovery of a person he can view as a true individual, Lisa, softly voiced by Jennifer Jason Leigh, have all the more impact. The development of their relationship is so touching that it's easy to forget we're watching an animated creation. Their awkward, fumbling sex scene is a wonderfully true, human scene (although it is difficult to avoid comparisons to the sex scene in Team America: World Police, despite this film's greater subtlety). Charlie Kaufman is such a gifted and unique storyteller that it's always a pleasure to enter his world, despite it often leaving you filled with morose melancholy. This is no exception, with the story proving as heartbreaking as you might expect. While it didn't leave me as emotionally shattered as his previous film, Synedoche, New York, it still made a profound impact on me in a way few other directors can. 
Duke Johnson, Kaufman's co-director, must also be praised as this is a visually stunning movie, with its use of lighting and expressive animation a real treat for the eyes. The nightmare sequence makes full use of the animated medium and the film is almost worth watching for that alone. A film not to be missed.

Available to stream on Netflix (at the time of writing) and available for streaming rental.

Worthy Mentions
Not quite on the main list...

Creed - A brilliant re-invention of the Rocky series, it was incredibly close to making my main list. Great performances all round, only slightly let down by occasional video-gamesque fight sequences.
Zootopia - A very funny top-notch family-oriented animation with a deftly conveyed strong central message. Lots of lovely details, with the sloths a particular highlight. Also close to making the main list.
10 Cloverfield Lane - A taut thriller with plenty of surprises anchored by the brilliantly creepy John Goodman.
Victoria - Filmed all in one shot, this is a gripping technical marvel. However, the lack of editing can make some parts of the story drag.
Kubo and the Two Strings - An incredibly beautiful film let down by a slightly weaker narrative.
Rams - A touching tale of two brothers in conflict.
Hell or High Water - A modern western in the style of No Country for Old Men, it has a compelling tale of modern rural America.
Paterson - A slow but delightful slice-of-life drama from Jim Jarmusch with an excellent central performance from the always watchable Adam Driver.
Sing Street - Another heart warmer from the director of Once. As you'd expect from John Carney, it has great music, with original songs bringing the sounds of the 1980s to life.

Worth a Watch
Films worth a look -

The Assassin (incredibly beautiful, but obtuse), Hail Caesar!, The Hateful Eight, High Rise, Neon Demon, The Nice Guys, The Revenant, Tale of Tales, Wiener dog, Doctor Strange, Ghostbusters (for Kate McKinnon), Tickled, Midnight Special, Sisters (the second half, the first forty minutes are awful), The Big Short, The Girl with All the Gifts, Star Trek: Beyond, Joy, Lo and Behold: Reveries of the Connected World, The Jungle Book (far better than I expected, a lot of fun),
I, Daniel Blake (for content)

Merely Okay
Magnificent Seven

Rogue One - Going somewhat against public opinion, I'm not a fan. It may be a very handsome movie indeed, but I don't feel it adds enough to the Star Wars mythos to warrant a whole movie. One two minute scene is utterly awesome however (you'll know when you see see it). 
I, Daniel Blake - While I'm fully behind its message, it felt quite heavy-handed and clunky, more like a feature length episode of mid-afternoon soap "Doctors" than a Palme d'Or winner, which is a real shame.
Gimme Danger - Lacking the anarchic energy of The Stooges.
Midnight Special - A wonderful premise, with a great opening sequence, but the world-building is muddled and the ending doesn't quite work.
Sisters (1st half) - A train wreck that's hard to watch, with a horribly miscast Tina Fey the main culprit. The second half, however, improves dramatically.
Doctor Strange - Disappointingly formulaic (albeit with some astonishing visuals) after Marvel claimed they were finished with generic origin stories.
X-Men Apocalypse - A messy, forgettable waste of a promising villain. Time for the X-men to reboot.
Batman v Superman- Beautiful and stylised in a way that only Zack Snyder can produce, nasty and ideologically muddled in a way that only Zack Snyder can produce. Wonder Woman was awesome though.
Suicide Squad - A complete mess, best avoided.
Jason Bourne - Surprisingly boring and behind the times. None of the old urgency or movie magic remains.
Zoolander 2 - The promising start fizzles out into a flaccid, unfunny sequel to the much loved original.
My Scientology Movie - A missed opportunity from the usually excellent Louis Theroux. More a movie about not being able to make a movie.
Hail Caesar! - While I enjoyed the film, I had hopes that it would be a Coen brothers classic and it felt like one of their more minor works.The Channing Tatum dance sequence is fantastic though.
The ones that got away...
In an ideal world, I would have seen these too (main regrets in bold) -

American honey, The BFG, A Bigger Splash, Dheepan, Everybody wants Some!!, Fantastic Beasts and Where to Find Them, The Light Between Oceans, Love and Friendship, Maggie's Plan, Miles Ahead, Son of Saul, Moana, The Witch, Toni Erdmann, Julieta, Finding Dory, Sully, Bone Tomahawk, Sausage Party, Neighbours 2, The Shallows, Secret Life of Pets, Girl on the Train
Hope you enjoyed reading my breakdown, Happy New Year!

2015 Update
The ones I caught up with that I missed last year...

I liked... Love & Mercy, Furious 7, Mission Impossible: Rogue Nation, , The Diary of a Teenage Girl, The Wolfpack, Trainwreck, Kingsman: The Secret Service, Spy, Dear White People

I wasn't so keen on... The Walk (perhaps because I love the documentary Man on Wire)

The ones I didn't...
Clouds of Sils Maria, Welcome to Me, A Pigeon Sat on a Branch Reflecting on Existence, Song of the Sea, The Wonders, Hard to be a God, 45 Years, Amy, Sicario, Wild Tales, The End of the Tour, Beasts of No Nation, Wild, The Theory of Everything

Last Years Top Ten 
10. The Duke of Burgundy
09. The Martian
08. Ant-Man
07. Inherent Vice 
06. While we're Young/Mistress America
05. Force Majeure
04. Inside Out
03. Ex-Machina
02. The Lobster
01. Whiplash

Thursday, 31 December 2015

Films of the Year 2015

2015 was a pretty eclectic year for film. Whilst the return of two long dormant massive franchises, in the form of Jurassic Park and Star Wars, broke box office records, there was still plenty of room for small idiosyncratic movies to delve into the many facets of the human condition. 2015's best films explored the nature of ambition, expectation, time, love, sadness, fatherhood and technology, but in fresh unexpected ways. Once again this was a year when unheralded films turned out much better than the hyped-up award-hunters.

This year I've aimed to write a shorter, punchier review of this year's films, so hopefully it'll act as a nice brief overview for you all.  
As usual this is a personal look back at this year's releases, so this is not necessarily a list of the greatest movies of the past twelve months, but a collection of my recommendations. As usual any feedback and discussion is welcome.

Disclaimer! - Many other films of the year lists will contain films yet to be released in the UK. I don't include these in mine, even if I've seen them at preview screenings. We usually get these films in January and February, so there's lots to look forward to early in the year. This year those films include "The Hateful Eight" (8th January), "The Revenant" (15th January)"Room" (15th January), "The Assassin" (22nd January)"The Big Short" (22nd January), "Spotlight" (29th January),  "Anomalisa" (11th March), "Son of Saul"(1st April)"Arabian Nights" (TBA)

This year's trends - father figures, a love of science, modern love and relationships

10. The Duke of Burgundy

A strange but beguiling film from Adam Strickland, director of 2012's also rather idiosyncratic Berberian Sound Studio. Shifting between genres as it details the routines and sex lives of two women living in a secluded woody mansion, its stylistic blend can often be confusing and disorienting, but is always thought-provoking. I think it's at its best when it leans towards black comedy, more fully rounding out the characters and their motivations than the dreamier sections, but the surreal, visually-arresting moth-based imagery also leaves a big impression. 

9. The Martian

After making his name with dark visions of the future, Ridley Scott directs a more optimistic take on the science fiction genre, finding the joy in scientific exploration to go alongside the fear in The Martian Matt Damon's ultra-capable astronaut Mark Watney becomes stranded on Mars when his team are forced to leave the planet without him, but he uses his ingenuity and scientific knowledge to eek out life on the martian surface whilst awaiting rescue. Watney's insane levels of optimism can lessen the emotional weight and dramatic tension of the film, as you never really feel he's fully pushed to the edge.  However as this film focuses more on the thrill of exploration and the power of a focused, intelligent mind, this is a pretty forgivable flaw. Despite Watney's isolation, the film's focus is broad, with a brilliant ensemble cast supporting him from afar as both his guilt ridden fellow astronauts and an expansive team back on Earth work to bring him home.  

8. Ant-Man

I never thought Ant-Man would feature on my list ahead of the latest Avengers effort, but after the disappointment of Age of Ultron, this made for a very pleasant surprise. It may not be the film it could have been under Edgar Wright, although his finger-prints remain obvious throughout, but his replacement, director, Peyton Reed, steers this film away from near pre-production disaster to create a charming, comedic action film.  While many of the tired superhero tropes are still in place, they are augmented with inventive use of Ant-Man's size-changing powers and an excellent ensemble cast of scene stealers. Chief among them is Michael Peña, who brings an optimistic exuberance to every scene.  
To be honest, it's worth watching just for the Thomas the Tank Engine cameo alone, which isn't something you get to say every day.

7. Inherent Vice

After my initial indifference, Inherent Vice benefited massively from a second viewing. As a huge fan of Paul Thomas Anderson, I was a little underwhelmed after the fantastic The Master blew me away a few years ago, but subsequent viewings have shown me the error of my ways. Packed full of interesting characters played by a spot on cast (my favourite being the coked-up dentist portrayed by Martin Short) and oddball set pieces, it works much better second time round, once you've removed any narrative expectations. If you're a fan of Thomas Pynchon's novel, on which the film is based, this may seem obvious, but coming to the film without having read it, I hadn't realised how meandering the story of Joaquin Phoenix's drug addled P.I would be as he haphazardly goes about solving the mysteries of the film. As usual for a Paul Thomas Anderson film, it's beautifully shot, has a great soundtrack and grows better with age.

6.While We're Young/Mistress America

This year's cheat entry, I've gone for both of Noah Baumbach's 2015 releases as their themes dovetail so well together. Following on from 2013's Frances Ha, Baumbach has worked his way through from people in their mid-twenties to early forties over the course of these three films. The films deal with the weight of expectation on each generation and the fear of failure that haunts them throughout, yet the films remain light, funny and entertaining
In Mistress America we find a confused young college student played by Lola Kirke finding solace in an (almost) half-sister (Greta Gerwig) who seems just as unsettled at reaching her early thirties with her grand plans unfulfilled as the callow student does about her new surroundings. 
In While We're Young, Ben Stiller and Naomi Watt's face their forties realising that the careers and family life they expected never materialised. In both films the older characters gain fresh, new perspectives from the younger protagonists, but end up betrayed by them, as the youthful figures work from a different moral playbook. This is especially the case with Adam Driver's entertaining über-hipster who becomes the bane of Ben Stiller's tortured documentarian's existence in While We're Young.

5. Force Majeure

A fascinating drama that examines the dynamics of the modern family and the expectations of fatherhood.  When a family is faced with a life-threatening situation whilst on a skiing holiday in the French alps, the instinctive reaction of the family's father causes ripples of distrust that run through the entire film, touching everyone they meet. This unease forces the protagonists to reevaluate all their relationships and how they are perceived by others. This may all sound quite intense, but the film isn't heavy or preachy, it's subtle, underplayed and often very funny. It has uniformly deft performances from it's mostly Scandinavian cast, although the presence of Kristofer Hivju, better known as the ginger bearded Wilding from Game of Thrones, threw me a little at first in a contemporary setting.

4.Inside Out

A return to form from Pixar, Inside Out finds them back creating an original tale with a lot of heart. Looking into the inner workings of a child's mind as represented by a group of anthropomorphized emotions, it takes us on a journey through the growing pains of a girl's teenage years. The way it explains emotional development and the importance of sadness is masterful, wonderfully exposing a truth we all have to embrace as we grow older. This assured storytelling is reinforced by it's casting, with Amy Poehler's Joy and Phyliss Smith's Sadness perfectly juxtaposed in their roles.
Managing to find the right balance between laughs and tears has been Pixar's calling-card right from its early days and this one thoroughly pulls at the heart strings to make it their best since Up. 


As a basic premise, the film's plot can seem rather generic and hackneyed. "Reclusive scientist creates artificial life" is a trope we've seen many times, but Alex Garland crafts a stylish and engaging picture that expands on these building blocks to make something rather more unnerving. Alicia Vikander is outstanding as the robotic women created by Oscar Isaac's tech billionaire to be tested by nervous employee Domhnall Gleeson. The film expertly builds tension as it plays with our expectations to create distrust and unease, as the strange interplay between the protagonists unravels what it is to be human. The motivations of the characters become murkier as the film progresses, especially in terms of gender politics, forming awkward scenarios that lead us to constantly question their actions.
This is all told with great visual flair and features perhaps my favourite scene of the year, a bizarre synchronized disco dance from Oscar Isaac and Sonoya Mizuno
2.The Lobster

A wonderful film that exudes a truly unique tone and atmosphere, director Yorgos Lanthimos has a style that finds an underplayed normality in fantastical situations. I first discovered his work in the strange and brilliant Dogtooth, a film which shares The Lobster's dark humour and flair for the uncomfortable.
The film follows a group of singletons who must find love within 45 days or face being turned into an animal of their own choice, in Colin Farrell's case, the titular lobster. In creating this scenario, Lanthimos uses subtle world building to posit a whole society running along bizarre yet believable lines, whilst shedding light on our real world attitude towards modern relationships and the need to conform.
It's a touching, funny and brutal mix that leaves a deep impression.  


Whiplash takes first place this year based on the strength of repeat viewings. I first saw the film at a Picturehouse preview back in 2014, then twice again on general release in 2015 and there's just something incredibly compelling about Whiplash that keeps bringing me back for more. J.K Simmons is of course superb in his Oscar winning performance as the imperious and intimidating band leader Fletcher, but the film has more to it than just his dynamic charisma. Miles Teller oozes desperate ambition as his student and Melissa Benoist manages to create a relatable character as Teller's girlfriend despite very little screen time.
The themes of obsession and sacrifice in pursuit of excellence are also incredibly compelling as it drives the story forward.
However I think the real star of the film is the propulsive jazz music at it's core and the way Damien Chazelle's direction creates energy whilst maintaining narrative cohesion. The visual flair used in representing the music allows us to better understand the strive for perfection that drives the characters and the decisions they make. It may have some slightly unbelievable plot twists toward the end, but a bravura finale smooths these over to leave you satisfied by the end, even if you may still feel unease at the ethics that went towards creating musical perfection.
Worthy Mentions
Not quite on the main list...
Listen Up Phillip - I loved most of this film, but felt it fizzled out a little towards the end, mainly due to the brilliance of Elizabeth Moss. Despite the presence of Jason Schwartzman and Jonathan Pryce, the film never feels as alive as when she's on screen and suffers when she's gone too long.
Funny but unsentimental, this is the closest film to making my top ten and I still highly recommend it (it may also make you laugh every time you have to staple something).
Brooklyn - A lovely film fueled by Saoirse Ronan's star power. A simple premise that you'd expect to be laden with cliché avoids those pitfalls to create a charming movie with real emotional investment.
Mad Max: Fury Road - A great action film, but I viewed it in a sub-par Odeon which lessened the movie's frenetic energy. I should have gone to see it at a better, louder cinema, then it may have made my top ten.
Carol - A beautiful film, with great performances from Rooney Mara and the always excellent Kate Blanchett. Unfortunately I saw this film on a Sunday evening when I was extremely tired, which wasn't the best match for this film's classy, but slow, pacing.
Star Wars: The Force Awakens - Almost made it onto my top ten list for not screwing up one of the most eagerly awaited films of all time. I absolutely loved the first half of the film, but the second half was somewhat formulaic and lost me a bit towards the end. I still thoroughly enjoyed it though.
Selma - The pacing seemed a tad off to me and the clackety-clack of the typewriter over each scene was a little distracting, but it's a powerful movie that made me cry more than once.
Still Alice - Another tearjerker, it features an incredibly moving performance by Julian Moore who deserved the Oscar win for best actress.
White God - It's probably best to go into this one not knowing too much, but beware that this tale of a girl and her dog gets pretty dark and twisted by the end.
Tangerine - Impressively shot on an iPhone, it offers a lively alternative Christmas narrative.
Paddington - The trailer made it look absolutely terrible so it took me a while to get round to seeing it, but it turned out to be a lovely family film with a positive message about immigration, which is all too rare in the media today.
The Tale of Princess Kaguya - A stunningly beautiful animated film from Studio Ghibli.
A Girl Walks Home Alone at Night - An odd but touching vampire romance that is wonderfully atmospheric. 
Worth a Watch
Films worth a look -
"Foxcatcher", "Timbuktu", "Straight Outta Compton", "A Most Violent Year", "Dope", "Slow West", "Me, Earl and the Dying girl", "Birdman", "A Bridge of Spies"

It Follows - A promising premise, but the film breaks its own rules too many times to fully satisfy. Once the monster starts becoming more erratic, it loses some of its menace.
Me, Earl and the Dying Girl - A victim of hype, it's an enjoyable enough film, but nothing remarkable.
Birdman - Technically great and with some fun performances, but the preachy tone and stereotypical character types didn't endear the film to me.
Macbeth - A bold and exciting start gives way to a surprisingly tame and muted rendition of the Scottish play. 
Spectre - An overlong soulless greatest hits. Once again it's a Bond film reaching for the soul-searching reboot button when a fun spy romp would have sufficed.
Map to the Stars - A bit over theatrical for my tastes, it didn't really engage with me.
Avengers: Age of Ultron - After loving its predecessor I had great expectations, but this film was an uneven mess with a nonsensical plot. It gets kudos for being the anti-"Man of Steel" with a focus on preservation of life, however.
Sisters - It starts appallingly, but it does find its feet halfway through. Start forty minutes in if you give it a watch. 
The Forbidden Room - A visually interesting experiment that tries your patience once strung out to feature length. 
Jurassic World - A fairly good return from the franchise, but weirdly lacking in tension.

Probably Not Worth a Watch
Possibly The Forbidden Room, it is a very frustrating watch...

The ones that got away...
In an ideal world, I would have seen these too -

Love & Mercy, Furious 7, Clouds of Sils Maria, Welcome to Me, A Pigeon Sat on a Branch Reflecting on Existence, Song of the Sea, The Wonders, Hard to be a God, 45 Years, The Walk, Amy, Mission Impossible: Rogue Nation, Sicario, Spy, The Diary of a Teenage Girl, The Wolfpack, Trainwreck, Kingsman: The Secret Service, Wild Tales, The End of the Tour, Beasts of No Nation, Wild, The Theory of Everything, Dear White People
Hope you enjoyed reading my breakdown, Happy New Year!
2014 Update
The ones I caught up with that I missed last year...

"Lucy" and "The Muppets: Most Wanted", "What We do in the Shadows"

The ones I didn't...
"Night Moves", "The Rover", "John Wick", "The Skeleton Twins", "Get on Up", "The Wind Rises", "Cold in July", "The Raid 2: Berandal", "A Most Wanted Man", "Leviathan", "Two Days, One Night"

Last Years Top Ten 
10. Nymphomaniac Volumes 1 and 2 
09. Under the Skin 
08. Calvary 
07. Guardian of the Galaxy/Captain America: The Winter Soldier 
06. Her
05. Frank 
04. '71 
03. Inside Llewyn Davis 
02. The LEGO Movie 
01. Ida